
This week, “From the Outside In” tells the story of Emmanuel Romano’s portrait of writer Carson McCullers.
Emanuel Romano (Italian-American, 1897–1984). Portrait of Carson McCullers, ca. 1949. Oil on masonite. Art Collection, Harry Ransom Center.

This week, “From the Outside In” gives the story of John Tenniel’s illustration for Lewis Carroll’s Alice’s Adventures in Wonderland.
“From the Outside In: A Visitor’s Guide to the Windows” provides an opportunity to discover more about the Ransom Center’s renowned collections of literature, film, photography, art, and the performing arts featured in the etched windows of the building.
Caption: Illustration from “Alice’s Adventures in Wonderland.”

This week, “From the Outside In” examines Harold Edgerton’s stop-motion photography. The Ransom Center holds 35 of Edgerton’s prints, including this one of a “Milk Drop Coronet.”
Photo © Harold Edgerton, 2013. Courtesy of Palm Press, Inc.
The Austin Chronicle: “‘Arnold Newman: Masterclass’ gives us all a lesson in the power of the photographic portrait.”
Arnold Newman, Igor Stravinsky, composer and conductor, New York, 1946
Gelatin silver print
© Arnold Newman / Getty Images
Need a break from #SXSW? The photography exhibition Arnold Newman: Masterclass is free and open to the public at the Harry Ransom Center.
Arnold Newman, Andy Warhol, painter and printmaker, New York, 1973. Gelatin silver print collage
© Arnold Newman / Getty Images
Opening today at the Harry Ransom Center! Arnold Newman: Masterclass
Running through May 12, this exhibition explores the career of photographer Arnold Newman (1918–2006), who created iconic portraits of some of the most influential innovators, celebrities, and cultural figures of the twentieth century. Newman’s archive resides at the Ransom Center.
A bold modernist with a superb sense of compositional geometry, Newman is known for a crisp, spare style that situates his subjects in their personal surroundings rather than in a photographer’s studio. Marlene Dietrich, Harry Truman, John F. Kennedy, Arthur Miller, Salvador Dalí, and Pablo Picasso are only a few of his celebrated sitters. Featuring more than 200 of these well-known masterworks, Arnold Newman: Masterclass also includes rarely seen work prints and contact sheets.
The first major exhibition of the photographer’s work since his death, Arnold Newman: Masterclass showcases the entire range of Newman’s photography, featuring many prints for the first time.
The Ransom Center is currently engaged in a one-year, grant-funded project to digitize, catalog, process and make the Frank Reaugh art collection available online, which will be the first complete collection of the Ransom Center’s new digital asset management system. The project is ongoing and is expected to be completed and available online to viewers by the fall.
Learn more about how this project has revealed new details about Frank Reaugh’s creative process.
Read the full article “Sueltas feature cartoons by Spanish caricaturist Manuel Tovar” on Cultural Compass, the Harry Ransom Center’s blog.
Actress María López Martinez, by Manuel Tovar.
Actor Antonio Vico, by Manuel Tovar.
Actor Federico Repáraz, by Manuel Tovar.
Actor Manuel Vigo, by Manuel Tovar.
Actor Luis Manrique, by Manuel Tovar.
Actor Manuel Muñoz, by Manuel Tovar.
Actress Trinidad Rosales, by Manuel Tovar.
See more portraits and learn all about painter Feliks Topolski’s portraits of 20 literary greats on The Daily Beast.
Evelyn Waugh (1903-1966)
Oil on canvas, 1961
40 x 32 inches
Wystan Hugh Auden (1907-1973)
Oil on canvas, 1961
40 x 32 inches
Thomas Stearns Eliot (1888-1965)
Oil on canvas, 1961
38 x 25 ½ inches
William Empson (1906-1984)
Oil on canvas, ca. 1960
30 x 25 inches
Edward Morgan Forster (1879-1970)
Oil on canvas, 1961
40 x 32 inches
Aldous Leonard Huxley (1894-1963)
Oil and acrylic on canvas, 1961
43 ½ x 55 inches
George Bernard Shaw (1856-1950)
Oil on canvas, 1943
94 ½ x 51 inches
Dame Edith Sitwell (1887-1964)
Oil and acrylic on board, 1959
72 x 48 inches
Charles Percy Snow, 1st Baron (1905-1980), 1962
Oil on canvas, 1962
50 x 38 inches
Dame Rebecca West (1892-1983)
Oil on canvas, 1961
36 x 28 inches
All images © Trustees of the Feliks Topolski Estate
Jim Crace talks about his watercolor paintings and the importance of coastal landscapes in his writing.
English writer Jim Crace, currently a visiting professor at The University of Texas at Austin Michener Center for Writers, gives a reading tonight at 7:30 p.m. in the Avaya Auditorium, ACE 2.302. Crace’s archive resides at the Ransom Center, and on a previous visit to Austin he spoke with Ransom Center staff about his interests and work.


